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Oil Paintings
Come From United Kingdom
An option that you can own an 100% hand-painted oil painting from our talent artists. |
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Arturo Ferrari
(Milan, 1861 - 1932) was an Italian painter.
Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
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Arturo Ferrari
Fifteenth-Century Courtyard in Castiglione Olona
1895(1895)
Medium oil on canvas
Dimensions Height: 145.5 cm (57.3 in). Width: 220.5 cm (86.8 in).
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Arturo Ferrari
Church and Houses
between 1925(1925) and 1932(1932)
Medium oil on paper
Dimensions Height: 29.5 cm (11.6 in). Width: 41 cm (16.1 in).
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Arturo Ferrari
Interior of Milan Cathedral
1888(1888)
Medium oil on canvas
Dimensions Height: 121 cm (47.6 in). Width: 70 cm (27.6 in).
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Arturo Ferrari
Church of Santo Stefano in Borgogna in Milan
1896(1896)
Medium oil on canvas
Dimensions Height: 138 cm (54.3 in). Width: 96 cm (37.8 in).
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| Arturo Ferrari
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(Milan, 1861 - 1932) was an Italian painter.
Initiated into artistic studies by his father Cesare, an associate of Luigi Scrosati, and the painter Mose Bianchi from Lodi, Arturo Ferrari completed his training at the Brera Academy under the guidance of Giuseppe Bertini from 1877 to 1884 while working in the studio of Gerolamo Induno at the same time. He made his debut at the Esposizione di Belle Arti di Brera in 1879 with a view of the interior of Milan Cathedral, thus inaugurating the repertoire of Milanese perspective views that was to be a constant feature of his vast production of oil paintings and watercolours. He soon became the guiding spirit of a poetic and sentimental evocation of "Old Milan" during the phase of transition to the 20th century, when the face of the city changed radically through wholesale rebuilding. A regular participant in all the major exhibitions until 1932, the year of his death, he was the recipient of numerous marks of official recognition and enjoyed considerable success with the public as well as the esteem of conservative critics.
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